Theway the chords and melody fit together into something we recognize as a scale; do re me fa so la ti do E F# G# A A E F# G# A So, in that example, I'm talking about melody, but obviously the chords have a big role in defining what scale is being played as well. I'd give examples, but that's probably beyond my depth.
TheMelody Makerâ„¢ is the best harp available for playing single-note melodies. Because we changed the reeds in draw/inhale and blow/exhale, you can also play beautiful chords on this harp. With its three altered notes, the Melody Makerâ„¢ is intended for playing Major scale melodies in 2 nd Position (Cross Harp).
DoRe Mi Fa Sol La Ti Do. Dorian. A minor mode. Represented by the D natural diatonic scale. WHWWWHW Do Re Me Fa So La Te Do. Phrygian. Represented by the E natural diatonic scale. HWWWHWW Do Ra Me Fa So Le Te Do. Lydian. Represented by the F natural diatonic scale. WWWHWWH. 161 393 128 460 496 422 367 337